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Jo is keen that everyone should be a bit more adventurous. This writer is guilty of sticking with a very small toolbox of editing apps, mainly VSCO and Snapseed, and I’m not alone. So don’t feel compelled to shoot raw, but it’s well worth trying – there’s a raw-editing tool in Snapseed too, which automatically opens when it recognises the file.’ Editing smartphone photos and Instagram Even with photos taken on an older iPhone, there is hardly any image degradation. You can end up being able to print really big – I go on stage at The Photography Show and invite people to come and ‘pixel peep’ at my prints. As the noise is randomly generated in each image, when the app stacks them, the noise is automatically removed. If you stack images when shooting in low light, using an app like Slow Shutter Cam, it can be a great way to reduce noise. ‘You can get great quality in your photos without needing to shoot raw, however. Shot in a studio using an iPhone 11 Pro Max, with lighting provided by two torches covered in coloured cellophane recycled from sweet wrappers. As you say, when you shoot raw on your phone it enables lots of flexibility at the editing stage, but it does override the often excellent JPEG algorithms that makers have spent a lot of money developing. ‘The apps I use – Moment, Halide or Camera Pro – enable me to do this.Įverything I produce will either be printed or exhibited, which is why I prefer TIFF. With algorithms now so advanced, often producing perfectly exposed images straight from the phone, is there still much point bypassing them and shooting in raw? ‘I do shoot in raw but save out the images as a TIFF rather than a JPEG,’ Jo explains. ‘Most of the time even total beginners will get a shot with a phone, but beyond that, there are lots of ways to get more- sophisticated results – for instance, by using advanced apps, using the phone cameras in manual mode to control exposure, and so on.’ The raw debate People with very different skill levels can still get good images from smartphones, which is a big part of their appeal for Jo. The fun is in the creativity – trying to do something different and problem solving.’ So, I started to look at more complex images that people make with conventional cameras, such as image stacking and panning, and explore how you can do it on a phone. ‘I wanted to show just how powerful smartphones can be when combined with creative thinking and a bit of know-how. ‘I still shoot with analogue and digital cameras, but I find myself reaching for my phone more and more in my professional work,’ she explains. Jo wrote the new book to show just how creative smartphones can be, pushing the boundaries of how they are mostly used – typically for selfies, street candids and conventional landscapes. The hardware is coming on in leaps and bounds, too, and you’re seeing a lot of handsets with three, even five, cameras on the back.’Ī painterly scene was created by panning handheld with a slow shutter app on an iPhone 11 Pro Max. The algorithms are using the image data in a much more intelligent way. ‘As well as powerful image processing, the latest iPhones and Android phones have very effective night modes, for example. ![]() ‘Every year more people embrace smartphones, but the biggest change I’ve seen since my first book is the rise of algorithms and computational photography,’ Jo observes. We caught up with Jo to get some expert advice for better smartphone photography, including handset choice and the editing side. From panning to pinhole, and should help convert any last remaining smartphone photography sceptics. Jo’s latest book, Smart Photos: 52 Ideas to Take Your Smartphone Photography to the Next Level, is full of intriguing and original ideas for smartphone photos beyond the obvious. ![]() ‘When I wrote that book I was not convinced that anyone would buy a book about phone photography – but it remained a best seller for four years!’ ‘ Smart Phone, Smart Photography was the first book about smartphone photography to top the digital photography best-selling book lists on Waterstones and Amazon,’ Jo notes with justifiable pride. ![]() Jo’s first book, Smart Phone, Smart Photography, was published in 2018, and since then she’s become a regular fixture on the camera club circuit, as well as running workshops for the RPS and appearing on the judging panels of several prestigious competitions. Top smartphone photographer, teacher and author Jo Bradford shares some tips for better smartphone photos that go beyond the predictable with Geoff Harrisīooks on smartphone photography are (almost) ten a penny, but Jo Bradford is internationally recognised as an authority on the subject. ![]() How to fill closed outlines with hatching ![]() Uncheck boxes at the Desktop Cutting Plotter prompt and click OK.With everything still selected, go to Path > Break Apart You should see boxy artifacts.Select everything and go to Object > Ungroup. ![]()
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Disclaimer Servings Per Container: about 527 Amount Per Serving, Daily Value Vitamin D-3 (as Cholecalciferol) (from Lanolin), 10 mcg (400 IU), 50. Here's a breakdown of Instacart delivery cost: - Delivery fees start at $3.99 for same-day orders over $35. The scene in episode two where Kwame hooks up with the guy from Grindr, is the first time I’ve seen such explicit sexual scenes take place between two Black men. Most programmers are too cowardly to push boundaries, but Coel has destroyed all types of boundaries. ![]() So much of what’s happening in the show really does take place. I initially found it uncomfortable to watch, but then I realised this is exactly how life can be. The show focuses on a lot of things that most programmes would be scared to go into in any kind of depth. “ I May Destroy You is very explicit and in your face. Like me, he is of mixed West African heritage. Reese works in the fashion industry, and is the owner of DAM Model Management and Noire Concierge, a personal concierge company. We were so happy and just really honoured to be part of it.” Hassan Reese, owner of DAM Model Management ![]() But the beauty of the show is the fact that we can be educated, and we can laugh and enjoy it at the same time. The reality of the situation is misunderstood because there’s this idea that you have consented to the sex. And when we’ve talked about it after the fact, they come to see it as a violation. I’ve got so many friends that have been in that situation. It’s educational.Īs for the stealthing scene, it made me feel uncomfortable – but it was a necessary discomfort. So to capture the stealthing element of what rape could be is so important. Growing up, we were taught by our parents, school and the media that rape is literally someone pinning you down in an alley. ![]() What I love about what Michaela has done is she’s captured those nuances of these topics. “I feel like when shows represent sexual assault, sexual abuse and rape, that aspect of it is usually left out. The podcast she is listening to is real-life series The Receipts, hosted by Tolani Shoneye, Audrey Indome, and Milena Sanchez. In the following episode, while listening to a podcast for sexual-assault survivors, Arabella concludes that he has assaulted her. In the show, Arabella has – spoiler alert – consensual sex with a fellow writer, who covertly takes the condom off during the act. These stories are so vital for people to see, challenge themselves and learn.” Audrey Indome, host of The Receipts podcast It made me wonder if they would feel comfortable talking about sexual assault. Kwame’s sexual assault made me feel extremely uncomfortable, it was scary to think that could something like that could happen to myself or any of my Black queer friends. And I definitely never saw anyone like me on a TV show like this – until now. I never saw anyone in magazines like me, and I wasn’t listening to any pop artists who were like me either. I didn’t meet anyone that was like me until I was 21. “When I was younger, there was no one around who I felt was anything like me. He is out and proud despite some of the difficulties that comes with this, because of his Sierra Leonean heritage. Samba helps to distribute PrEP to queer men of colour. Phil Samba, Strategic Lead for PrEP at Prepster I spoke to some other Black Brits to discover their thoughts on the way sexuality is represented in the show. This is what makes this show so groundbreaking – and I know I’m not the only one who feels this way. This is ultimately linked to the idea that any admissions of these kinds of goings-on within the community would strip away our status as ‘good immigrants’. Diasporic communities tend not to talk candidly about any of the topics explored on the show, and phrases like ‘sexual assault’ are rarely uttered. Navigating structural oppression, while also trying to understand the complexities of my sexuality, has been a major point of contention in my life. Like Coel and her charming assortment of lead characters, I’m also a child of the diasporic West African community. Even our generation’s libidinal ecology has been strictly limited to privileged caucasian women ( Fleabag, Catastrophe, GIRLS, Sex and the City, I’m looking at you). It’s a genuine rarity: normally, depictions of Black culture on television tend to be limited to gritty, estate life struggles, which doesn’t acknowledge the breadth of our lived experiences. Although the drama’s main theme is sexual assault, it also spotlights the universal themes of friendship, survival, masculinity, internalised homophobia and race.įor Black Brits whose realities are grounded in the capital’s exciting creative scene, Coel’s mesmerising story arcs are giving us life. The London-set series stars Coel as Arabella, a young woman who must rebuild her life after she experiences drug-assisted rape. So what makes it so groundbreaking?įor the past month, TV audiences have been shocked, captivated and in awe of Michaela Coel’s 12-part BBC/HBO drama I May Destroy You. ![]() Michaela Coel’s show has been widely praised for its bold portrayals of race, sexual assault, homophobia and survival. ![]() Independence DayĪmazingly this movie did quite well on Rotten Tomatoes and didn’t garner a whole lot of criticism until it was well on its way to becoming a home video, but the sequel didn’t pan out nearly as well even with the added effects. ![]() ![]() The surprise of course comes when it’s realized that not only is there an entire hive of these creatures, but there’s a queen among them as well that’s continuing to make the eggs and therefore increase the size of her army. But the great thing about this movie is that despite the audience expecting the same type of creature, they certainly didn’t expect that a group of hardened Marines were going to have as much trouble as the crew of a commercial ship. Haleigh Foutch of Collider has this ranked second in the Alien franchise and it’s easy to see why since Alien was the first and most unexpected among the movies that came along. Plus, the idea that the savior of the world has to wait until he’s out of bubblegum to come in and kick ass is kind of hard to believe since in this day and age the same individuals that follow this simple doctrine are those that seem to spread the same message, just in a different way. You can’t deny the parallels between They Live and our current societal landscape, but seeing subliminal messages and believing that everything that’s done by those in power is to just fatten us up for the kill does seem a little paranoid. It would seem Steven Hyden of The Ringer and the creator of the movie, James Cameron, are both big on social commentary and how it was used in this movie. Here are five of the all-time best alien invasion movies. What’s scarier, an alien species that seeks to simply devastate and destroy as it spread even further or a species that finds a way to infiltrate those they wish to conquer? A lot of people would debate this until they’re blue in the face and before cinematography was ever brought into the mix, but when thinking about the alien invasion movies that really terrify people there are a select few that manage to get our hearts pumping. It’s a matter of perspective and what people find the most disturbing after all, wanton violence or the insidious way that some aliens seem to worm their way into society. I’ll definitely agree with him and others on a few movies but when it comes to others eyes might roll and lips might part as people begin to make their own arguments for their own choices. Don Kaye from SyFy Wire has compiled an entire list of alien invasion movies which are thought to be the best of all time, but as you might guess everyone has their favorites and no matter what the box office says people are going to argue about what’s the best in any case. ![]() ![]() Watch “Buell Ulysses Off Road Caanan Loop Road 1” on YouTube ![]() We’re going to sue Trump and company because they were saying that Gaga was actually the girl from hOtis and she was not and they fooled themselves a lot of them thought she was one of them Trump had the hardest time getting stuff because of it you got beat up by Corky’s people a lot Youtube We picked up the mallet and started hitting the freak started taking his stuff started making him shut up and talk correctly refuse to so issuing him a lawsuit now and these guys are working up their own lawsuit and they’re going to assume they sort of see a pattern here he is with Gaga probably took a ton of his money and her money and Tommy’s through her Artist sits here stealing money these people are kind of mild killers I’m like slaughtering you cuz you won’t get the f*** off me you n***** say that right to him and sit there going well I won’t then I’m going to take everything out thank you I need anyways I need your areas to be able to launch attacks on max no hard feelings but you’re a f****** moron I haven’t taken it the whole time you just keep on making me it’s ridiculous if you saw the process you’d be laughing at you it’s so f****** dumb you’re going to jail you’re not going to bother me This is Trump here oppressing another artist. 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